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PHB 2019 - 2020
Pirelli HangarBicocca | Milan, Italy
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Giorgio Andreotta Calò
Volver, 2008
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Courtesy Studio Giorgio Andreotta Calò, Venice
Photo: Davide Conconi |
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Sheela Gowda
And that is no lie, 2015 |
Installation view, Pérez Art Museum, Miami, 2015
Courtesy the artist and Pérez Art Museum, Miami
Photo: Oriol Tarridas |
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Daniel Steegmann Mangrané
Naranja deprimida, 2003 |
Courtesy the artist
Photo: Teresa Estrada |
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Cerith Wyn Evans
S=U=P=E=R=S=T=R=U=C=T=U=R=E (‘Trace me back to some loud, shallow, chill, underlying motive’s overspill...’), 2010 |
Installation view, White Cube, London, 2010
© Cerith Wyn Evans, courtesy White Cube
Photo: Todd-White Art Photography |
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Trisha Baga
Mollusca & The Pelvic Floor, 2018 |
Installation view, Greene Naftali, New York, 2018
Courtesy the artist and Greene Naftali, New York
Photo: Martha Fleming-Ives |
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Chen Zhen
Precipitous Parturition, 1999 |
Installation view, Solomon R. Guggenheim Museum, New York, 2017-18
Courtesy, Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana © ADAGP, Paris
Photo: David Heald |
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Neïl Beloufa
Kempinski, 2016 |
Installation view, Kunstmuseum Luzern, Lucerne, 2017
Courtesy the artist, Balice Hertling, Paris, François Ghebaly, Los Angeles, Mendes Wood DM, São Paulo and Zero..., Milan
© 2016 MoMA, N.Y.
Photo: Jonathan Muzikar |
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Steve McQueen
Charlotte, 2004 |
Film still
16mm film continuous projection
© Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery |
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